THE MERCHANT OF VENICE dictates its own terms
CEDAR CITY — Shakespeare‘s sermon on mercy and forgiveness, The Merchant of Venice, has returned to the Utah Shakespeare Festival in…
Less is so much more at Utah Shakespeare’s BIG RIVER
CEDAR CITY — Rather than a big, flashy musical, the Utah Shakespeare Festival chose this year to produce Big River, the musical…
A harrowing, poignant GREY GARDENS at Lyric Rep
LOGAN — Before the curtain rises on Grey Gardens, the voice of W. Vosco Call, who founded the Lyric Repertory Company…
Laughter flows at Creekside’s MUCH ADO ABOUT NOTHING
The Creekside Theatre Festival production of Much Ado About Nothing plays various nights through June 29 at either 6 PM…
Something delightfully wicked brewing in Pinnacle’s MACBETH
SALT LAKE CITY — Shakespeare remains one of the most produced playwrights even after over 400 years. And Macbeth is probably…
Lyric Rep’s SENSE & SENSIBILITY captures genius of Jane Austen
LOGAN — How should a reviewer approach a production of an oft-adapted classic? The test of any contribution to the Jane…
“I Don’t Need Anything But . . .” the Orem Hale’s ANNIE
OREM — My biggest worry as I write about Hale Center Theater Orem’s Annie is that I will run out of…
An enchanted production of CINDERELLA at Tuacahn
IVINS — The story of Cinderella is one that many people are familiar with. A young girl wishes to go to the…
ANNE OF GREEN GABLES at BYU is rumpled, but not in spirit
PROVO — Those familiar with Lucy Maud Montgomery’s 1908 novel Anne of Green Gables and its many sequels know that…
MAMMA MIA! is ABBA’s dabba, quite a doo!
SALT LAKE CITY — In her director’s notes for Mamma Mia!, Patricia Wilcox wrote, “What is left to say about a show…