UVU’s CONSTELLATIONS plays out all the possibilities of life
OREM — More than a year into the Coronavirus pandemic, entering the Ragan Theatre at Utah Valley University for Constellations…
Ziegfeld’s FREAKY FRIDAY is the musical we need
OGDEN — It has been almost a year since I’ve been able to sit in a theatre seat and feel…
AN IDEAL HUSBAND at BYU is not an ideal streaming production
PROVO — It is an understatement to say that An Ideal Husband, produced by BYU, was technologically impaired. Though I…
DESPERATE CROSSING & LETTERS FROM CUBA exposes immigrants’ plight
PROVO — Brigham Young University’s staging of Manual for a Desperate Crossing and Letters from Cuba is the most innovative…
Behind our decision to review plays during the COVID-19 pandemic
The Utah theatre world was turned upside down eight months ago today on March 12, 2020, when Utah governor Gary…
Interactively dream at SONDERimmersive’s THE CAROUSEL
SALT LAKE CITY — As you step into the interactive theatrical experience that is The Carousel by SONDERimmersive at Dreamscapes,…
THE NIGHT WITCHES succeeds with flying colors
SALT LAKE CITY — I’ve missed theatre. I haven’t felt brave enough to attend a production during the current health…
HCTO offers a sensory SENSE AND SENSIBILITY
OREM — Hale Center Theater Orem (HCTO)’s Sense and Sensibility made for a perfect maiden voyage back to theatre after…
HOW I BECAME A PIRATE is seaworthy and sound
OREM — Just two years after the last production of How I Became a Pirate at the SCERA, the company…
CONCERT IN THE PARK(-ING LOT) is a nice substitute for theatre
CENTERVILLE — As the summer of creative Corona art continues, CenterPoint Legacy Theatre’s offering is a series called Concert int…