Humdrum SHREK in Cottonwood Heights
COTTONWOOD HEIGHTS — It’s difficult to review community theatre fairly because the reviewer has to make concessions for the limitations of…
Say “Hello” to hilarious satire and surprising depth in THE BOOK OF MORMON
SALT LAKE CITY— Snark, bite, vulgarity, profanity, jaw-dropping irreverence, and extreme characterizations are all aspects fans might recognize from Trey…
Sundance’s THE WIZARD OF OZ needs a little more magic
SUNDANCE — Theatre in the mountains surrounding Robert Redford’s Sundance resort is always magical. The journey by car up the canyon…
Venture INTO THE WOODS like you never have before
OREM — Into the Woods is among the most popular musicals produced in Utah and for good reason. The familiar fairytale…
Pleased as punch by DROWSY CHAPERONE at Pickleville Playhouse
RICH COUNTY — With a title like The Drowsy Chaperone, and promotional material that generally features an armchair or a record…
I’M NOT RAPPAPORT deals sensitively with aging and humanity
CEDAR CITY — The final production rounding out this years Neil Simon Festival in Cedar City is I’m Not Rappaport by…
Finding the extraordinary in Utah Rep’s ORDINARY DAYS: Mandi Barrus and Chase Ramsey on personal connection and process to a lasting message
“There is a difference between repertory and repetitious.” This tag line encapsulates Utah Repertory Theater Company‘s mission statement which is…
“This Nearly Was” a great SOUTH PACIFIC
CEDAR CITY — I will likely be exiled from the United States after my pronouncements in this review for two…
Cynthia Fleming, SLAC Executive Producer and Director of SATURDAY’S VOYEUR
SATURDAY’S VOYEUR is back at SLAC for it’s 37th year. Director, choreographer and Executive Producer, Cynthia Fleming is no stranger to…
THOROUGHLY MODERN MILLIE is toe-tapping fun at the Empress
MAGNA — Thoroughly Modern Millie is one of these shows that started as a movie, then was adapted for the stage…