A fully magical TEMPEST in Lehi
LEHI — Strange magic exists in Shakespeare‘s The Tempest. When Propsero is cast off from his rightful place as Duke of Milan, he and his daughter Miranda must rely upon…
LEHI — Strange magic exists in Shakespeare‘s The Tempest. When Propsero is cast off from his rightful place as Duke of Milan, he and his daughter Miranda must rely upon…
CEDAR CITY — “Shakespeare wrote musicals?” I heard on my way to lobby at intermission. “Why yes, yes he did,” I thought cheekily. Modern audiences sometimes forget that Shakespeare’s works…
SALT LAKE CITY — A Midsummer Night’s Dream is probably the most performed of Shakespeare‘s comedies. It is still very funny and accessible for modern audiences and seems custom made…
CEDAR CITY — UTBA first came to the Utah Shakespeare Festival in 2010, coincidentally the same year that cast member Kyle Eberlein did. That year Eberlein was in the greenshow…
CEDAR CITY — Mistaken identity runs rampant in Shakespeare‘s The Comedy of Errors, a farcical romp that is given new life in director Brad Carroll‘s wild west interpretation of this…
CEDAR CITY — In a moment of atypical solemnness the lovable drunkard Falstaff asks, “What is honour? A word. What is in that word honour? What is that honour? Air.”…
CEDAR CITY — A sense of doom hangs over most of Measure for Measure as Claudio sits in prison awaiting his execution. With a death warrant signed by Angelo, the…
OREM — If there’s one thing I appreciate in modern productions of Shakespeare, it is a theater company’s ability to cut the script. As Shakespeare once wrote, “Brevity is the…
OREM — The announcement was unprecedented. For the second year in a row, the same university had won several of the highest awards given to college theatre: the Kennedy Center…
PROVO — If I had to choose one word to describe the Grassroots Shakespeare Company production of As You Like It, it would be “energetic.” Nearly every scene of the…