Reality TV’s latest season of LOVE’S LABOUR’S LOST
SALT LAKE CITY — New World Shakespeare Company’s production of Love’s Labour’s Lost creatively sets the action of the play within…
12 DAYS OF CHRISTMAS at the Empress needs more than partridge in pear tree
MAGNA — Before I went out to the Empress Theatre in Magna Friday night, I was hoping to find out more…
THE LIGHT IN THE PIAZZA flickers
PROVO — “The day we meet, the way you lean against the wind, and do not know that you are…
Conversation with Keven Myhre: SLAC, GOOD PEOPLE, and what makes a great modern play
SALT LAKE CITY — As Salt Lake Acting Company opens up its newest play, Good People, I got the chance to…
Davis Arts Council’s AS YOU LIKE IT is exactly as I like it
LAYTON — William Shakespeare was a literary genius—few people deny that—but actually going to see a performance of one of…
ANNE OF GREEN GABLES needs to mature a little
CLEARFIELD — All right, to clear some things up. Yes, I am male. Yes, I have at least watched the movie…
LOVE’S LABOUR’S is just a little bit lost
CEDAR CITY — From the moment you walk into the outdoor Adams Shakespeare Theatre for the Utah Shakespeare Festivals production of…
Lehi Arts Council scores a win with YOU CAN’T TAKE IT WITH YOU
LEHI — Everyone has an eccentric relative that embarrasses them in public. Maybe it’s the strange uncle who has a hobby…
A campy, cheesy, Salty BONNIE AND CLYDE
MIDVALE — When considering the spectrum of sub-genres that fit under the title of “theatre,” a few labels might come to…
UVU’s THE IMAGINARY INVALID is an evening well spent
OREM — It never ceases to amaze me that Molière’s plays are still ridiculously funny, even after being translated from four-hundred…