Romeo and Juliet on the grass in Kaysville
KAYSVILLE — Romeo and Juliet by the Grassroots Shakespeare Company isn’t just a “play” or a “show”; it’s an experience. It felt like a concert: the energy, the flexibility, and…
KAYSVILLE — Romeo and Juliet by the Grassroots Shakespeare Company isn’t just a “play” or a “show”; it’s an experience. It felt like a concert: the energy, the flexibility, and…
PROVO — Rain or shine, Utah Shakespeare in the Park’s production of Much Ado About Nothing was worth the risk. I packed my lawn chair, blanket and a couple of…
PROVO — It was a beautiful day in May when I walked toward the Nelke Theatre at BYU, but one thing seemed out of place. I was on my way…
OREM — The story of To Kill a Mockingbird is dear to the heart of anyone who took high school English. Who didn’t love Scout, look up to Atticus, and…
PROVO — Normally, I am reluctant to see a show like Stones which has a religious subject matter. I have been know to hate “Jesus Plays.” I feel it is…
OREM — At the end of Once Upon a Mattress (produced by SCERA), I certainly walked away with a memorable experience. The characters are larger than life and the action…
PROVO — Talley’s Folly, we are told from the start by the play’s protagonist, Matt Friedman, is a romance—a waltz—played out in three-four time over the course of ninety-six minutes…
OREM — As I stepped into the Noorda Theatre at Utah Valley University to see the opening production of SAST (Short Attention Span Theatre), I found myself welcomed into an…
PROVO — It seems like every writer eventually gets around to writing about the theatre itself: the business of telling stories in which they are engaged. From Shakespeare (think Hamlet’s…
PROVO — Oh my H-e-double-c-k” last night I laughed my pants off at Divine Comedy’s semi-annual “Best of Divine Comedy” show. If you aren’t familiar with Divine Comedy, they are…