Pygmalion’s SPARK flares and fizzles
SALT LAKE CITY — Spark opens on the porch of the Glimord home in the tobacco belt of North Carolina. Sisters Evelyn and Ali Glimord are preparing a celebratory dinner…
ONE MAN, TWO GUVNORS, & lots of laughs at Pioneer
SALT LAKE CITY — A British play based on Carlo Goldoni‘s classic The Servant of Two Masters (an Italian commedia dell’arte play), One Man, Two Guvnors is a comic play…
Stormy seas for AND THEN THERE WERE NONE
MAGNA — When Agatha Christie‘s And Then There Were None opens, people are mysteriously invited to a mansion on an isolated island. Once they’re stranded there, they start dying one…
THE OWL GIRL never takes flight
SALT LAKE CITY — What I love about college theatre is the way that it feels like an enormous creative sandbox where dedicated and passionate students can try out fresh…
UCT’s HAUNTED THEATRE SPOOKTACULAR is silly, creepy, and fun
SOUTH SALT LAKE CITY — Walking into the newly renovated Utah Children’s Theatre, purple and bright blue lights slowly rotated odd shapes onto the walls and carpets, while cobwebs hung…
Grand’s LITTLE SHOP OF HORRORS grows charm
SOUTH SALT LAKE CITY — I like tragedies. I find I’m in a minority about this. People around me like things to end happy and well. But I like the…
A powerful ELEPHANT’S GRAVEYARD at Westminster College
SALT LAKE CITY – A beautiful retelling of a horrific true story, Elephant’s Graveyard, is the current production on the stage at Westminster College. Yet, the cast provides this beautiful…
NICE WORK IF YOU CAN GET IT is a delightful night of nonsense
SALT LAKE CITY — On April 24, 2012, Broadway’s newest Gershwin musical made its debut as Nice Work If You Can Get It. Over two years later, Work Light Productions…
Give an eye to Sting & Honey’s THE PRIVATE EAR
SALT LAKE CITY — As the audience took their seats in Rose Wagner’s dimly lit Black Box Theater, a single light fell on a large print of Boticelli’s The Birth…
I’LL EAT YOU LAST serves up good dish
SALT LAKE CITY — One person shows are not easy undertakings. A single performer has to be dynamic enough to capture the attention of an audience for sixty or more…