Pioneer Theatre’s MURDER ON THE ORIENT EXPRESS is first class
SALT LAKE CITY — Peeling back the layers of design, dialogue and character in a mystery is both the challenge and the thrill of making and seeing such a production.…
SALT LAKE CITY — Peeling back the layers of design, dialogue and character in a mystery is both the challenge and the thrill of making and seeing such a production.…
SALT LAKE CITY — The most reviewed play by UTBA, Joseph and the Amazing Technicolor Dreamcoat (directed by Tanner J. Christensen) is playing a brief weekend run in a concert…
OREM — Into the Woods, while already well-known for its creative spins on common fairy tales (with a book written by James Lapine and music and lyrics by Stephen Sondheim),…
SANDY — The more local theatre I see in Utah (and around the country), the more convinced I am that each theatre company has something special and unique to offer.…
LOGAN — Ragtime opened on Broadway in 1998 with music by Stephen Flaherty, lyrics by Lynn Ahrens, and a book by Terrence McNally. Because it was one of the first…
OGDEN — Walking into the Ziegfeld Theater feels like coming home. I have only seen one other production at the Zig and had nearly forgotten the feeling of joy, inclusion,…
SALT LAKE CITY — “I’d give you some violets – but they withered all when my father died.” (Hamlet 4.5) Withered All, an original play written and directed by Miranda…
CEDAR CITY — Though the new play development series at the Utah Shakespeare Festival has existed for decades, it still feels like something of a secret to join a handful…
PAYSON — There are some shows that, even with their flaws, stand the test of time and are always a joy to watch. Annie Get Your Gun is such a…
NEW YORK CITY — This is my third review this year of Matt Cox’s play Puffs, Or Seven Increasingly Eventful Years at a Certain School of Magic and Magic, but…