SALT LAKE CITY – The final production of the Broadway at the Eccles 2025-2026 season is Tony-nominated Water for Elephants based on the novel by Sara Gruen, and with book by Rick Elice and music and lyrics by Pigpen Theatre Co.,
Performed in The George S. and Dolores Doré Eccles Theater’s Delta Hall, Water for Elephants tells the story of Jacob Jankowski, a young man on the cusp of completing veterinary school when his parents tragically die in a car accident. After missing his final exams and losing his home, a grief-stricken Jacob jumps onto a moving train joining a group of circus performers. Despite not completing his education, Jacob agrees to be the circus veterinarian and while caring for an ailing horse and challenging elephant, grows close to Marlena, the star performer who is also married to the ringmaster, August.
The story is seen through the memory of an older Jacob Jankowski. Under the direction of Ryan Emmons Water for Elephants shines in its use of dramatic aerial routines, extensive and complex choreography sequences and puppet artistry. All of this, despite impressive performances, ultimately overshadows the music, story and character development resulting in an overall underwhelming experience.
Zachary Keller gave a strong performance as Jacob Jankowski with impressive vocals that carried throughout the room. One striking moment for Keller was during the song “Silver Stars” where he conveys the hope his character is beginning to feel after experiencing such tragedy. Keller’s performance was enhanced by Projection Designer David Bengali’s backdrop of the night sky which enveloped the room in twinkling lights. In other places Keller could have added more emotional depth to his performance, yet this moment was when his talent truly soared.
Helen Krushinski gave an exceptional performance as Marlena. Krushinski’s vocals were unmatched and beautiful. Krushinski’s performance of “Easy” alongside aerialist Yves Artieres who performed as the horse Silver Star, was the most emotionally resonant moment of the production. Krushinski’s exquisite voice accompanying Artieres’s expressive movements was a moment in which the many features of the production felt in perfect harmony with one another.
Another noteworthy performance was by Tyler West as Walter. West had a wonderful stage presence, and his character brought a lot of humor and energy to the stage. West’s delivery and vocals were consistent throughout, and he was delightfully entertaining.
Shana Carrol, Co-Choreographer and Circus Designer, and Co-Choreographer Jesse Robb provided the strongest element to the production. Remarkable was the vigor of the ensemble performing jaw-dropping stunts with exactness and emotion, with audible gasps heard throughout the venue.
The technical design was extremely well done, particularly the Lighting Design by Bradley King and Sound Design by Walter Trarbach. King and Trarbach’s expert design choices were noticeable throughout and particularly with the scene changes. The transitions at times were astounding with a dramatic shift in color and mood. One powerful moment was the stampede inside the circus tent. The design and creativity of sound and light as well as choreography during this scene left a lasting impression.
Also stirring was the work provided by Puppet Director Joshua Holden and Puppetry Designers Ray Wetmore, JR Goodman and Camille Labarre. I especially enjoyed the subtle reveal of Rosie the elephant, bringing one leg to the stage at a time before showcasing the entire puppet a few moments later. The attention to detail and care given to the puppets, like Rosie’s remarkably long eyelashes, and the varying shades of Queenie’s fur coat, as well as the performers who meticulously brought these animals to life truly elevated the performance.
While the performances and technical aspects of Water for Elephants were near flawless, the variety of elements of music, acrobatics and dialogue didn’t blend well together. While I enjoyed the sudden scene changes, there were a few times I had hoped for a slower transition so I could ponder what had just transpired. For example, a longer pause sitting in the dark after the tragic fate of Camel and Walter is realized. The uneven nature of the production as well as the rushed pace prevented me from connecting to the characters and their stories.
The show, at its core, is a story about finding family and rising above grief and tragedy. It is an over-the-top, fast paced production oozing with talent from its lead performers and ensemble. With exceptional designs in lighting, sound and puppetry as well as unbelievable acrobatic and aerial performances, it is a feast for the eyes and will delight patrons seeking for its action and spectacle.
MORE INFO: WATER FOR ELEPHANTS is currently playing at the George S. and Dolores Doré Eccles Theater (131 Main Street, Salt Lake City, UT 84111) through August 30, 2026. Performances are held at 7:00 PM on August 27; 7:30 PM on August 28; 1:00 PM and 7:30 PM on August 29; and 1:00 PM and 6:30 PM on August 30. Tickets are approximately $45–$150, depending on seating and performance. For the most up-to-date schedule, performance details, and official ticketing, visit Broadway at the Eccles: www.saltlakecity.broadway.com.
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